The Bacchus Lady's poster hints at it
being a dark offering
Director-writer E J-Yong was on hand for a
brief Q&A after the film's HKIFF screening
The Bacchus Lady (South Korea, 2016)
- Part of the HKIFF's Galas program
- E J-Yong, director and scriptwriter
- Starring: Youn Yuh Jong, Yoon Kye Sang, Choi Hyun Jun, An A Zu
As I made my way to attend the Asian premiere of E J-Yong's The Bacchus Lady, I received a text from a friend who had been at the same screening of Doctor Zhivago earlier
that day as me. In it, he expressed his happiness at being able to
float on the cloud of enchantment that the experience of viewing the
David Lean film had put him on for the rest of the evening since he wasn't attending another Hong Kong International Film Festival screening until at least the next day.
Although
I knew how he felt, I already had committed to checking out this other
HKIFF offering which I knew would be quite different from David Lean's
romantic epic; not least because it's a Category III-rated contemporary
South Korean drama about a so-called Bacchus
Lady -- elderly prostitutes who approach elderly men in public parks in
Seoul and ask them if they wish to purchase a bottle of Bacchus energy
drink -- by the director-scriptwriter whose filmography includes Untold Scandal, the Korean film adaptation of Les Liasons Dangereuses.
Existing
on the unglamorous -- and surprisingly multicultural -- fringes of
South Korean society, 65-year-old So Young (Youn Yuh Jong) ekes out a
living offering sexual services to men around her age or even older,
many of them lonely -- rather than particularly randy -- widowers and
retirees who get no love from their remaining family members, children
and grandchildren alike. Prone to catching gonorrhea from customers as
well as needing to stay alert to avoid being arrested by the police, she
and her fellow Bacchus Ladies nonetheless advertise their wares in
broad daylight in public venues such as the park next to the UNESCO World Heritage-listed Jongmyo Shrine.
As
scandalous as her life sounds, E J-Yong actually makes it look
down-to-earth and quietly desperate. Similarly, although So Young's
neighbors have more unusual traits than most, The Bacchus Lady
actually depicts one-legged figurine maker Do Hoon (Yoon Kye Sang) and
transgender nightclub singer Tina (An A Zu) as acting much like regular
folks who love a good feast and, even while given to slinging barbs at
one another, often willing to be there to help out when called upon to
do so.
Ironically, when trouble comes into So Young's life, it stems from impulsive acts of kindness on her part -- be they towards a "Kopino"
boy (Choi Hyun Jun) whose Filipina mother is arrested by the police
after she stabs her Korean doctor lover or elderly men who had been
among So Young's regular customers before being beset by the kind of
serious ailments that come with increased age; with the latter involving
her turning from giver of sexual satisfaction to someone who helps to
take lives!
Again,
rather than play up these actions, E J-Yong opts to go for a nuanced
depiction which underscores how normal it can seem for people in
certain unhappy situations to want to die rather than go on living.
Much more damning is The Bacchus Lady showing that these elderly
souls' situations now look to be common, even widespread, in South
Korea: the result not only of medical "developments" having prolonged
life without necessarily improving, or even maintaining, its quality but
also of socio-cultural changes having made it so that the elderly now
tend to live alone rather than in extended households, as traditionally
was the case.
Even though The Bacchus Lady
is less than two hours long and moves along at a pace that one would
associate more with seniors than younger folk, it manages to pack in
commentary on a lot of variety of weighty issues, in ways that often are
far from heavy-handed. A mature, adult film in the very best sense, it
benefits immensely from adept helming, and a bravura as well as brave
performance by its veteran lead actress.
My rating for this film: 8.0
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