Kawaii-neh?! Takashi Murakami's smiley flowers
(on display at the Gagosian Gallery booth)
put a smile on my face
Also colorfully catching the eye was this work
by Finnish artist HC Berg (on display
over at Galerie Forsblom's booth)
A smidgen of the crowd at the art fair
in the vicinity of Douglas Young's sculptural pieces
that were inspired by Hong Kong tenements
As quite a few of my friends (including some visitors to this blog) know, my Sundays in Hong Kong are often reserved for going hiking or, at the very least, out and about to some place greener and less central and filled with crowds than those areas which can be found on Hong Kong tourist maps. However, rain was forecast for this Sunday -- and the forecast actually has turned out to be correct -- and then there's the not insignificant fact that this is the weekend of Art HK 10, the third edition of an international art fair that this year has over 150 exhibitors from 29 countries.
Art HK 10 opened to the public on Thursday (and today is its final day) but, as gweipo has reported, its vernissage was held on the Wednesday evening before that. Like her, I had my first taste of this year's edition of the international art fair that Wednesday evening -- but, put off by a crowd filled with people who looked and acted as though they wanted to get more attention than the art on display, I decided to leave after just an hour at the event that evening.
Fortunately, I also had a ticket that gave me unlimited entry for the rest of the time that the art fair was open to the public. So I returned yesterday for a few hours and again today for another couple of hours to enjoy viewing the art on display -- which, even if not uniformly great (or even, if truth be told, good), also was by no means all bad.
On a cultural (as opposed to Cultural) note: I found it interesting to see how international the art world really is. For one thing, it wasn't just that the majority of the participating galleries are located outside of Hong Kong but, also, that establishments from places like Scandinavia and Turkey were among that number rather than elsewhere in East Asia or London and New York. For another, rather than only offer up works by artists from their home territories, galleries such as, say, Istanbul's Galerist also showed works by Korean artists and Welshman Julian Opie, whose works also featured at last year's Art HK 09.
Something else that I found really cool was the number of children attending the international art fair -- as well as how large the crowds were for the event as a whole. And yes, I realize that an art fair is a commercial art event -- and that one indisputable measure of its success is how much of the work on display manages to find buyers. Still, it doesn't mean that those who don't (have the money and/or inclination to) buy can't enjoy viewing what was on display while they were on public display too, right? :)
Art HK 10 opened to the public on Thursday (and today is its final day) but, as gweipo has reported, its vernissage was held on the Wednesday evening before that. Like her, I had my first taste of this year's edition of the international art fair that Wednesday evening -- but, put off by a crowd filled with people who looked and acted as though they wanted to get more attention than the art on display, I decided to leave after just an hour at the event that evening.
Fortunately, I also had a ticket that gave me unlimited entry for the rest of the time that the art fair was open to the public. So I returned yesterday for a few hours and again today for another couple of hours to enjoy viewing the art on display -- which, even if not uniformly great (or even, if truth be told, good), also was by no means all bad.
On a cultural (as opposed to Cultural) note: I found it interesting to see how international the art world really is. For one thing, it wasn't just that the majority of the participating galleries are located outside of Hong Kong but, also, that establishments from places like Scandinavia and Turkey were among that number rather than elsewhere in East Asia or London and New York. For another, rather than only offer up works by artists from their home territories, galleries such as, say, Istanbul's Galerist also showed works by Korean artists and Welshman Julian Opie, whose works also featured at last year's Art HK 09.
Something else that I found really cool was the number of children attending the international art fair -- as well as how large the crowds were for the event as a whole. And yes, I realize that an art fair is a commercial art event -- and that one indisputable measure of its success is how much of the work on display manages to find buyers. Still, it doesn't mean that those who don't (have the money and/or inclination to) buy can't enjoy viewing what was on display while they were on public display too, right? :)