Poster for my favorite Hong Kong movie of 2018
And
while there may be people who think otherwise, I actually think that
2018 saw a general improvement of the local cinematic output.
Consequently, not only did I view more contemporary Hong Kong movies in
2018 than 2017 but I also feel able -- for the first time in three years
-- to get back to compiling a top ten Hong Kong movies list for the year. So, without further ado...
I
count myself very lucky to have caught a screening of this
heart-warming social drama that revolves around a Filipina domestic
worker and the Hong Kong man paralyzed from the waist down who she goes
to work for at the 2018 Hong Kong Asian Film Festival for many reasons.
For one, there was a post-screening Q&A which was attended by
its director (Oliver Chan Siu Kuen), lead actor (Anthony Wong Chau
Sang), lead actress (Cristel Consunji) and a third cast member (Wong
Ting Him). For another, the film still hasn't gone on general release
in Hong Kong (and may not do so until April 2019!).
Then
there's the fact of this movie being one of those works that really
just is a superb watch. Deeply moving, yet imbued with a generous sense
of humor, it is pretty close to miraculous how good Still Human
is when you consider that its director (who also scripted and edited the
work) and female lead are feature film debutantes! Along with a
bonafide super star actor in Anthony Wong Chau Sang, these folks -- and,
actually, pretty much everyone involved in the production -- never
seemed to put a single foot wrong as they went about producing this
big-hearted work that had me laughing out loud, weeping a lot and also
smiling pretty broadly over the course of my viewing it.
There are films so sad that my heart threatens to break when viewing them. Ying Liang's A Family Tour
is one of those films. And the degree of upset I feel increases upon
realizing that this very personal drama centering on an exiled filmmaker
is a semi-autobiographical work. Intelligent and thought-provoking,
its story of a now Hong Kong-based filmmaker who goes with her husband
and young son to Taiwan to temporarily unite with her Sichuanese mother
-- ostensibly there for a group tour -- also tugs at the heart by
showing how much love people forced to live apart, and in stressful
conditions, continue to have for each other.
In
a perfect world, the family of Ying Liang could and would live happily
together in a place of their choice. As shown in this film, even if its
members can't do so though, they will never stop loving one another
even while also continuing to adhere to those principles that more
honorable governments than Communist China's would respect and reward
rather than resent and seek to reverse.
With
the Hollywood movie: I was able to catch and appreciate the background
details more the second time around. With the Hong Kong film: I found
myself admiring all the more how great the director was at getting super
naturalistic performances from the cast members, regardless of their
age, acting experience and actual mental conditions; and feeling my
appreciation of how heartfelt and informed is its account of the
challenges and pressures faced by too many local students and teachers.
In
retrospect, I think my inkling that 2018 was going to be a satisfying
Hong Kong film year for me came when I found myself really enjoying
watching one of the two Chinese New Year movies I chose to check out
this past year. Super star-studded and offering up plenty of laughs, A Beautiful Moment benefited
enormously not only from headliners Carina Lau and Simon Yam's star
power but also their great onscreen chemistry -- and some times
(particular during the Chinese New Year movie viewing period), that
really is all a Hong Kong movie fan girl needs! ;b
I didn't write a top ten 2017 Hong Kong movies list but if I had done so, Vampire Cleanup Department
would have been at the top of it. And in 2018, its director (and
co-scriptwriter), Yan Pak Wing, came up with another quirky supernatural
winner as far as I was concerned in Hotel Soul Good. The kind
of film that's quite a bit better than its (English language) title and
premise makes it sound, it's also the kind of genre-transcending movie
that Hong Kong cinema used to be famous for and -- so long as people
like Yan Pak Wing are given a chance to do so -- still produces against
the odds.
Those
readers who are familiar with my Hong Kong movie tastes will know I
prefer local Hong Kong movies to Hong Kong-Mainland Chinese
productions. They also will know that I'm hardly a big fan of Aaron
Kwok -- and that even while I like Chow Yun Fat, I don't adore him like
many Hong Kong movie fanboys (and girls) do. Considering all this, it's
pretty miraculous that Project Gutenberg was able to entertain
me as much as I do. The thing though is that, in this case, the
co-production arrangements allowed for an ample enough budget to make
this globe-trotting effort look super slick and sophisticated, and
director-scriptwriter Felix Chong was wise enough to provide Chow Yun
Fat with the best role he's had in years as well as strong enough to get
Aaron Kwok to rein in his ego and over-acting in a surprising
restrained second fiddle role!
When
you see the name Yuen Wo Ping attached to a movie, you know that it's
going to contain some genuinely exciting fight scenes. Happily, Master Z: The Ip Man Legacy doesn't disappoint in that regards. And even better is that this spin off from the Ip Man movies starring Donnie Yen
also has powerful dramatic moments, interesting characters, and capable actors and
actresses who can pull off dramatic roles as well as action ones. Also
gratifying is how there are formidable females as well as males in the movie
-- but you could say that should be expected in a film whose helmer's
directing -- not just action directing -- credits does include Wing Chun! ;b
This
drama from debutant director Jun Li has attracted much attention and
publicity for being Hong Kong's first film centering on a transgender
individual. Where Tracey derives its greater power and resonance
as far as I'm concerned though is by it actually having a wider focus
than may be realized. Put another way, it's an affecting story not only
about one person but also that individual's loved ones, including
family members and good friends -- all of whom are portrayed by capable
thespians, among whom Kara Hui Ying Hung (aka Kara Wai) and Ben Yuen in
particular provide standout performances.
The second film produced by Donnie Yen on this list, Big Brother
also sees the action superstar in front of the camera playing a crack
soldier turned dedicated educator. Almost as improbable as his
character is how this movie actually is a serious social drama in parts
as well as an entertaining comedy and exciting actioner! Much less of a
vanity project and more of a labor of love, this earnest little movie
has its heart in the right place -- and so does the main man behind it.
:)