Viewed at the 2018 Hong Kong Asian Film Festival
A Family Tour (Hong Kong-Taiwan-Singapore-Malaysia, 2018)
- Ying Liang, director and co-scriptwriter (with Chan Wai)
- Starring: Gong Zhe, Nai An, Pete Teo
This expertly crafted dramatic offering from a Mainland Chinese filmmaker living in exile in Hong Kong (after this 2012 film, When Night Falls, ran afoul of his home territory's authorities) largely takes place in Taiwan. Considered a renegade province by Beijing but independently ruled by a democratically-elected government, the territory has figured in films (such as Stan Lai's The Peach Blossom Land and Wang Quanan's Apart Together) which show loved ones torn apart by the Communists coming to power over in Mainland China.
In Ying Liang's A Family Tour,
however, Taiwan is where a family gets to reunite -- albeit for only a
limited time and under less than ideal circumstances. After filmmaker
Yang Shu (Gong Zhe) is honored with an invitation to take part in a film
festival in Taipei, she and her husband, Cheung Ka Ming (Pete Teo, who I previously knew primarily as a singer-songwriter),
hatch a plan to meet up with her mother -- who she has not seen in the
flesh or spoken with for some four years now -- in the Taiwanese
capital.
In
a perfect world, Yang Shu's mother, Chen Xiaolin (Nai An), would have
gone to Taipei to view her daughter's film. However, Yang Shu incurred
the wrath of her country's authorities by making that particular work
which now was going to be screened in Taipei and had to leave her native
Sichuan -- where her widowed mother continues to reside -- and move to
Hong Kong, the birthplace of her husband, and now also their young son
(Tham Xin Yue).
Bidding
to get together away from the prying eyes and ears of the Communist
Chinese authorities (whose influence on Hong Kong, it is noted, has been
noticeably increasing), Ka Ming books Xiaolin on a group sightseeing
tour and arranges for himself, Yang Shu and their son to unofficially
tag along on a taxi and meet the older woman in publicly accessible
tourist attractions, hotels and restaurants. Things gets further
complicated -- and stress levels significantly increased -- early on
after Yang Shu realizes that her mother is significantly less healthy
than she was when they last were together and, also, that the
authorities had paid the older woman at least one disturbing visit in
the intervening years.
There's no hiding how sad the story told by A Family Tour
is -- and one's heart threatens to break even more upon realizing that
it is rooted in fact, personal and semi-autobiographical. At the same
time though, because the mother and husband of the filmmaker in this
touching offering come across as truly loving and caring, one comes to
see the circumstances that the family in focus as tragic but not the
individuals concerned and their lives.
The first film made by Ying Liang as an exiled filmmaker, A Family Tour represents
an admirable act of resistance. A cinematic tour-de-force, this
poignant offering shows the sacrifices that some people need to make in
order to do and continue doing what they think is right, and also for
their loved ones -- some of whom they may end up having to live far
apart from but will always be in their hearts.
My rating for this film: 9.0
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