To Sai Kung's Tai Long Wan once more! (photo-essay)

One hot Sunday in July 2010, a friend and I decided to hike to Sai Kung Peninsula's Tai Long Wan from the Sai Wan Pavilion.  After getting there and enjoying the gorgeous sights and more than the place had to offer, we decided to head back along the route that we had come from to get the bus back into Sai Kung town rather than press ahead and go along the rest of Stage 2 of the Maclehose Trail. 

For while we had been treated to breathtaking views on the hike, I got to belatedly realizing that this was an excursion better attempted when the temperature was lower because, frankly, I actually got worried at one point that I was in danger of getting heat stroke! So it wasn't until a considerably cooler winter's day that I ventured again along the same trail -- and with a different friend in tow!  

On this more hike-friendly day, the general humidity as well as High Island Reservoir's water levels were noticeably lower than on the previous Sunday that I had hiked in that area.  But the sun was still shining, the sky still was a beautifully blue for much of the day and the hiking so much more pleasant that we did end up going beyond Ham Tin.  However the last few kilometers of Maclehose Trail Stage 2 would have to wait until still another time as this time around, my friend and I got tempted by the boat ride from Chek Keng that I've decided is my favorite of all ferry and kaito rides in Hong Kong! ;b

After first climbing up from Sai Wan Pavillion to Chui Tung Au,

the trail leads steeply down to Sai Wan -- which one can see 

is still a distance away but so alluring looking already

At Sai Wan village, cafes offer drinks and snacks 

including bowls of tasty tau-fu fa

But what's really irresistible there are the gorgeous views

to be had there for free!

And no, it's not a mirage that such a place exists in 

Hong Kong -- and that it's so uncrowded to boot! ;b

 Looking back at Sai Wan and points south of it

from further along Maclehose Trail Stage 2

A view of Tai Long Wan that doesn't include Sharp Peak

 A view of Tai Long Wan that does include Sharp Peak

and part of the Maclehose Trail

View from the beach cafe at Ham Tin

where we stopped and had lunch

To be continued! :)

Robo-G (Still another movie viewed at the 2012 Hong Kong International Film Festival!)

In lieu of my not having a photo of Robo-G, here's going ahead

and offering up a photo of various Robot Ks instead! ;b

Robo-G (Japan, 2012)

- From the I See It My Way program
- Shinobu Yaguchi, director
- Starring Mickey Curtis (AKA Shinjiro Igarashi), Yuriko Yoshitaka, Gaku Hamada, Ianky Junya Kawashima and Shogo Kawai, etc.

In recent years, various articles have been written about Japan's love of robots, especially humanoid ones.  And it's Japanese inventors who have created such seemingly straight-out-of-science-fiction-and-anime machines as female android Geminoid F (who recently made an appearance in Hong Kong at Cityplaza's Robots in Motion 2012 show) and humanoid robot ASIMO.  Thus it was that when viewing Robo-G, I got to thinking that this Shinobiu Yaguchi offering surely is an "only from Japan" movie.  

Among other thing, it seems a very Japan thing for there to be a robot contest -- and one at that in which a trio of young engineers at a small consumer electronics company would have an entry.  And even while it does involve a greater credibility leap, I also could imagine such a scenario as that in which an enthusiastic young Japanese woman (essayed by Yuriko Yoshitaka) might actually get infatuated with a humanoid robot and it additionally could fit within the realm of possibility for that same young woman to be an engineering super brain as well as mega robot(ics) geek!

If Robo-G were a Hollywood movie, the American male equivalents of the main characters found in this Japanese movie would be super competent individuals (and, I'd imagine, the female less so).  My sense too is that the robot competition in which they are taking part would be taken far more seriously (whereas in the Japanese movie, there doesn't seem to even be formal prizes to compete for, only a chance for welcome positive publicity via TV coverage and exposure).

But since Robo-G is a Japanese movie, the whole affair turns out to be largely played out for laughs -- with its three main young male characters (who are played by physically diminuitive Gaku Hamada, tall and thin Junya Kawashima and the distinctly overweight Shogo Kawai) already not having all that much confidence in their robot invention before it was inadvertently activated and then proceeded to literally crash out of a window and break into several pieces after falling several floors down!   

Filled with desperation as well as despair, this anti-heroic trio cook up a scheme that involves their getting a human to don the reconstructed outer sections of their robot.  Needing this particular human to be a specific height and size, they end up having a 73-year-old grandfather (portrayed by Mickey Curtis (AKA Shinjiro Igarashi) "powering" (playing) the robot.  (And lest you think that this paragraph contains major spoilers, suffice to say that the movie's plot focuses considerably more on what happens after the old man gets people more and more excited about the robot by way of his actions while wearing that robot suit.)

What with contemporary Japan aging faster than any other country in history, it makes sense that the main protagonist of Robo G turns out be an elderly gentleman rather than a younger individual.  On a related note, it actually is quite the traditional East Asian message that this 2012 Japanese film tenders to its viewers: that is, that older folks still can contribute to society by doing such as helping and inspiring younger generations whose members may be more technically savvy than older people but still have much to learn from their seniors. 

My rating for this film: 7.5

Reflect and Humour (This week's Photo Hunt themes)

As those of you who have become acquainted with my Ponyos know, Puppet Ponyo is the Ponyo plushie that I take on vacation and appears in my travel photo-essays (like this Japanese one and this German one).  And as many of you probably also realize, my Ponyos help inject some often very welcome humour and whimsy into my life.  So it shouldn't take much reflection to figure out what I'd turn to for this week's entry for Sandi's and Gattina's Photo Hunts in view of humour (spelt the British English way with two "u"s!) being one of the designated themes!

At the same time, this set of Puppet Ponyo photos are a bit different from the usual ones -- in that they were taken in Hong Kong (which these days is my home territory as opposed to a foreign travel destination). More precisely, they were taken on a visit to Hong Kong Wetland Park in Tin Shui Wai with my German friend -- who lived in Hong Kong for seven years (and is officially a Hong Kong permanent resident!) before being recalled to Germany by her company -- on one of her regular visits to a part of the world we both love.

As it so happens, two out of the three Puppet Ponyo photos that I've selected for this blog entry turn out to feature bodies of water on which interesting reflections can be seen.  And with regards to humour: I have to say that pretty much every photo I see of Puppet Ponyo invariably gets me smiling. 

Still, I do reckon there's something especially humourous about the photo in which Puppet Ponyo is perched atop the sculpture of what appears to be a baby stork in the style of a rodeo rider while my friend it was who suggested -- and was particularly tickled by -- the Puppet Ponyo kissing a frog picture.  So maybe it could be said that whichever of these photo most appeals to you will say something about -- and will be a reflection of? -- your particular character and personality! ;b

Kuk Po and the neighboring spaces bordering Hong Kong's Frontier Closed Area (Photo-essay)

So what lay ahead after on the 15 kilometer Northeast Hong Kong hike (chronicled thus far in five previous photo essays here, here, here, here and here) that two friends and I went on whose main objective was to get to the picturesque walled village of Lai Chi Wo after we made it to our main destination?  The answer: quite a bit of a trek out still; one that involved going northwest-wards and up to the natural gap between still higher ground known as Fan Shui Au and then down hill to an area bordering Starling Inlet (AKA Sha Tau Kok Hoi) that, as we found out, is home to some more (near) abandoned villages!

In all honesty, although I knew about Lai Chi Wo (and its fung shui wood) long before I went on this particular hike, I was unfamiliar with these other (near) abandoned settlements that I similarly found to be very interesting to visit.  All told, because we reached Kuk Po and the associated space which borders the Frontier Closed Area of Hong Kong that borders Mainland China pretty late on into our journey, we weren't able to explore it much.

Instead, we tarried just a short while to do such as snap a few photos and mentally plan our next visit to this borderland area before heading along to the still inhabited village of Luk Keng (that's also home to a green minibus route terminus) that was the end point of this particular trek (but which I've already targeted as the starting point of the next excursion that will take me to Luk Keng)! :b

The earth god shrine at Kuk Po -- and my shadow approaching it!

A calendar in an abandoned house points to its last day 

of its occupation having been February 11th, 1989

A well maintained sacred space in one of the otherwise 

pretty much abandoned villages

 

Strange as it may seem, the tall buildings in this photo

are actually in Mainland China while the unbuilt-up space

in the foreground is situated in Hong Kong

 One of its buildings may have a red star on it

but this row of houses lies on the Hong Kong side

of the Hong Kong-Mainland Chinese border

 Perhaps the most impressive single building we saw on 

this hike -- once home to a school built in 1928 and said to 

have been inspired by Guangzhou's military academy!

Somewhat surreally, these buildings and villages that look like 

they are from another time actually exist in the present day -- 

and in an area where a modern looking Mainland China 

is to be found just across the water and border

Panoramic view of Kuk Po (and the hilly range 

over which lies such as Lai Chi Wo)

And coming up next week: another photo-essay... but this time, from a different hike! ;b

Lizard on a tree in Hong Kong!

Lookit what I spotted while out hiking 

in Sai Kung East Country Park yesterday! :O

 Since it's on a tree and has a crest, I'm guessing that it's

a member of the crested tree lizard species that lives 

in Hong Kong (and also Malaysia!)

This photo gives a good idea of how long

this lizard's tail was relative to the rest of it! :O

Back when I was in primary school, I was an avid viewer of an American children's TV series called Big Blue Marble and it was through its pen-pal club/exchange that I became pen friends for a time with a girl from New Jersey who was nice enough to send me an American magazine and chewing gum along with a number of enthusiastic letters.  Several months after we started corresponding, she wrote and asked me -- in all seriousness, I'm assuming -- whether I lived in a tree.

To put it mildly, I was shocked and felt not a little insulted.  Rather than halt our correspondence immediately, however, I decided to respond... by telling her that I did indeed live in a tree house.  What's more, I had a pet crocodile that I would ride to school and back home on -- and while I was in class (in a school that also was up in a tree), the pet crocodile would wait patiently down below for me.

After mailing off my story, I figured that my New Jersey pen friend would figure out that no one in the world lived like that.  Instead, in her next letter, she told me how she thought my way of life was a great one and that she wished she had a pet crocodile too -- a reply that frankly left me feeling so flabbergasted I didn't know how to respond, and thereby caused our correspondence to come to a halt right there and then!

To be fair, Malaysia does have crocodiles in the wild (as well as such as crocodile farms).  But the largest reptile I've seen in my home country outside of a zoo actually have been monitor lizards rather than crocodiles.  (And, I have to say, I've seen more than one monitor lizard in my family house's garden!)

Believe it or not, Hong Kong also is home to at least one crocodile -- Pui Pui -- who now resides at the Hong Kong Wetland Park after being caught in a river in the New Territories!  But the closest thing to a crocodile out in the wilds of the Big Lychee that I've seen thus far has to be larger lizards like the one up on a tree that I saw while out hiking in Sai Kung East Country Park yesterday.

Like a few of the smaller lizards that I've spotted while out hiking in Hong Kong (like can be seen in this entry and also this one), the creature I came across yesterday was kind enough to stay still for a time and effectively pose for me.  Seeing that the photos I have of it are so clear, I'd appreciate if someone could identify what kind of lizard it is for me. (I'm thinking it's a crested tree lizard but confirmation -- or an alternative ID -- from someone more knowledgeable about Hong Kong's wildlife would be much appreciated!)

A Hong Kong kung fu comedy and a German dramedy viewed at the 2012 HKIFF

Large posters, including for the 2012 HKIFF, hang on 

the outside of City Hall -- one of the film fest's screening venues

 

Dreadnaught (Hong Kong, 1981)
- From the Once Upon a Hero: The Wong Fei Hung Saga program
- Yuen Woo Ping, director
- Starring Yuen Biao, Kwan Tak Hing, Leung Kar Yan, Yuen Shun Yi, Fan Mei Sheng, etc.

In what was another lifetime, one in which I was an anthropology graduate student living in Philadelphia, I rented a Hong Kong movie called Wing Chun so often from my local video store that I got to realizing that it'd make more economic sense for me to buy myself a copy of it. And that is how it came to be that that 1994 Yuen Woo Ping-helmed martial arts actioner starring Michelle Yeoh became only the second ever movie I owned a home video copy of!

But while Yuen Woo Ping has directed 23 other films to date, I have to confess to not having found the others of the movies he's helmed (as opposed to been action choreographer of) that I've viewed to be all that much to my taste.  And this includes cinematic efforts that have been deemed seminal Hong Kong movies by others -- such as Snake in the Eagle's Shadow (the film that made Jackie Chan a star in the Chinese-speaking world) and Drunken Master (the latter of which had Jackie Chan playing a young, mischievous version of legendary kung fu master Wong Fei Hung) -- as well as undoubted duds like his most recent True Legend.

Based on its reputation as well as its two lead actors, however, I figured it wouldn't hurt to give Dreadnaught, Yuen Woo Ping's 1981 martial arts comedy about a cowardly young man (played by the super agile Yuen Biao) who seeks to learn kung fu from Wong Fei Hung (essayed by the venerable Kwan Tak Hing), a try -- and especially when it got shown on a big screen courtesy of this year's Hong Kong International Film Festival. At the same time, however, the screening schedule really wasn't in its favor as it happened to be the third movie I watched one Sunday -- and worse, the earlier two films I viewed happened to be the really affecting A Letter to Momo and the sublime He's a Woman, She's a Man (complete with a fantastic post-screening Q&A with its director).

If truth be told, I felt emotionally spent hours before the beginning of the Dreadnaught screening. Even so, I believe that I would have emotionally connected with, and otherwise responded, to a better film. As it was though, I was left cold by the way too broad humor on show in the movie (though it's also true that it was able to tickle the funny bone of a viewer sitting behind me who laughed appreciatively at it all), unsatisfied with the idea that anger and strong sense of justice would suddenly help the film's young protagonist to come to possess the fighting ability he exhibits in the movie's climactic scenes, and jolted out of the picture whenever the admittedly already elderly Kwan Tak Hing was too obviously "doubled" by a younger, more athletic man.

At the same time, I must admit to having got a thrill out of seeing Kwan Tak Hing as Wong Fei Hung in a color movie that did have higher production values than the scores of black and white films he appeared in earlier in his career.  Additionally, even though his character in Dreadnaught was not a particularly great one, Yuen Biao still had opportunity to show how agile and acrobatic he was back when he was in his physical prime (particularly in a chase sequence that had him doing such as literally climbing walls).

Also, as it turned out, I found myself being pretty impressed by the lion dancing on view in Dreadnaught, be they ones in which individual "lions" showed their acrobatic abilities or those that involved deadly serious duels between a battling pair of these showy creatures. (I'm not sure if Leung Kar Yan performed his own stunts in the lion dancing scenes; if he did, still more credit is due this under-rated actor who had third billing in this work playing Wong Fei Hung's chief disciple, Leung Foon.) If only there had been more stand out scenes like those, then this movie would have hit the heights that I was hoping -- and, in truth, also expecting -- that it would do.      

My rating for this film: 5.5

Almanya: Welcome to Germany (Germany, 2011)
- From the Gala Presentation program
- Yasemin Samdereli, director
- Starring Vedat Erincin, Fahri Yardim, Aylin Tezel, etc.

Two evenings after I viewed Dreadnaught, I took in a film whose humorous notes struck much more of a chord with me. Almanya: Welcome to Germany is a feel-good dramedy revolving around an ethnic Turkish family whose patriarch went to Germany in the 1960s to make money but ended up settling with his family in -- and even becoming a citizen of -- a country with a majority population whose religion and certain cultural mores he does not share.

Directed by Yasemin Samdereli (who also co-wrote the script with her sister Nesrin), Almanya: Welcome to Germany was conceived as a tribute to their forebears.  But rather than opt for a strictly dramatic treatment of the story of Turkish "guest workers" who answered Germany's call in the 1960s to help alleviate their labor shortage, they've opted for -- and managed to pull off -- a light-hearted and warm take on the topic by focusing on one three-generational ethnic Turkish family, the older members of whom were born in Turkey but the younger ones in Germany.

There is some humor in the depiction of the younger members of the family who include: an ethnic Turkish -- but German-born -- man who has less of a tolerance for spicy food than his ethnic German wife; a pre-adolescent boy who insists that ethnicity is like football, in that you can only be part of one team, not two or more; and a young ethnic Turkish woman who shocks her family by having a boyfriend who is not only not Turkish but also not German (instead, he's -- gasp -- British!).

But it's the depictions of the early part of the older members of the family's lives that bring on the most laughs. In particular, the film shows how funny-haha as well as funny-strange the ideas one ethnic group can have of another can be -- especially when the other ethnic group does not share the same religion.  Even more admirably, Almanya: Welcome to Germany also does not neglect to show that "reverse culture shock" can occur when the Turkish people who have gotten used to living in Germany go back to Turkey to visit, and that that "reverse culture shock" also does have its humorous side. 

With a message in favor of tolerance -- for those of a different culture from you but also individual differences to be found within a single family -- that is made easy to swallow by way of its coming with a dose of easy, playful humor, Almanya: Welcome to Germany is a film that's hard to not like.  Something (else) that I love about the movie is how it reaches out to all audiences by way of its emphasizing our common humanity and everyone having their own quirks, some of which are indeed funnier than others.

As a cultural aside: I find it interesting that I saw three films with German individuals at the helm at this year's Hong Kong International Film Festival -- and, as it turned out, one of these was a documentary about a Catalan restaurant (El Bulli: Cooking in Progress), another was a documentary about an English actress who has starred in French as well as English language films (The Look) and now there's also Almanya: Welcome to Germany which also doesn't have ethnic Germans as its focus!  So maybe to be German these days is to be more international-minded than many other nationalities -- and if so, all the more power to them for being so! :)

My rating for this film: 8

Sturdy and Home (This week's Photo Hunt themes)

 

 

When most people in the world think of Hong Kong, they tend to conjure up vistas filled with high rise buildings -- some of which house offices and shops, others of which are home to a substantial number of the Big Lychee's slightly over 7 million inhabitants.  Images, in short, akin to the top most picture in my entry this week for  Sandi's and Gattina's Photo Hunts (albeit minus the green foreground that came from my having taken that photographs from within the borders of a Hong Kong country park!).

Others will think of Victoria Peak, Hong Kong Island's highest hill, and the views to be found from there. For many locals, the Peak (as it tends to be more simply referred to here) also stands as the residential and social summit of Hong Kong.  So it strikes me as somewhat ironic -- and also rather funny -- that few of the homes on it look deemed worthy of photographing -- not least because while sturdy enough, they really don't stand out that much architecturally or aesthetically.  (To get an idea what I mean, see the middle shot of my three photographs.)

For the fact of the matter is that it's location much more than building construction itself that really determines their attractiveness, prices and such here in Hong Kong.  And even while the sturdy homes in my bottom photo are located in an agriculturally fertile area, they are miles cheaper than anything to be found on The Peak -- and not because they are more modest looking either but, instead, because of their location out in the northwestern New Territories that's not far from the historically rich (but now much less so) Kam Tin (whose name translates from Cantonese as Gold Field) but inconveniently distanced from the central business district and associated high density and cosmopolitan commercial areas of Asia's World City.