No fear re Peking Opera Blues
being excluded from my 100 Movies list! ;b Recently, my good friend, the proprietor of the
Falling Stones are not Heavy blog, changed hosts from livejournal to Word Press. In doing so, he was able to add extra sections to his blog and now has a
100 Movies list that he feels a strong connection to that I found to make for interesting reading -- and so much so that I've decided to follow his example and post a
100 Movies list of my own too.
In my case, my main criteria when making my choices is that the films be ones which have particularly impacted and/or impressed me over the years (but, particularly, in the last 10 or so). Alternatively put, and contrary to the disparaging assertion sometimes made by people that "it's only a movie", I will venture to say that a fair few of the films on my list are not only able to move, enchant, make me happy and otherwise alter my emotional state and views of humanity but they also have changed my life and life path in addition to my film viewing habits and perspective.
To cite just one example: One big reason for my now living and working in Hong Kong is because I fell in love with Hong Kong cinema and the portraits of the place and its people that some of its best films provided me with. And, yes, here's handing out due warning that my list is undeniably heavy on Hong Kong movies.
Still, rather than order the films by territory, I'm going to list them in alphabetical title order. In doing so, I'll leave it to readers to do such as count the number of Hong Kong movies on my list, those starring Brigitte Lin or anything else that particular interests you... ;b
11'9''01 - September 11 (various directors, notably Alejandro Gonzalez Inarritu, 2002)
14 Amazons (Ching Gong & Charles Tung, 1972)
The 36th Chamber of Shaolin (Lau Kar Leung, 1978)
A Chinese Ghost Story (Ching Siu Tung, 1987)
A River Runs Through It (Robert Redford, 1992)
Ashes of Time (Wong Kar Wai, 1994)
Babette's Feast (Gabriel Axel, 1988)
The Ballad of Little Jo (Maggie Greenwald, 1993)
Battleship Potemkin (Sergei Eisenstein, 1925)
Beaches (Gary Marshall, 1988)
Ben Hur (William Wyler, 1959)
The Blue Kite (Tian Zhuangzhuang, 1993)
The Bride with White Hair (Ronny Yu, 1993)
C'est la Vie, Mon Cheri (Derek Yee, 1993)
Chariots of Fire (Hugh Hudson, 1981)
Citizen Kane (Orson Welles, 1941)
Cool Hand Luke (Stuart Rosenberg, 1967)
Chungking Express (Wong Kar Wai, 1994)
City of God (Fernando Meirelles, 2002)
Close Encounters of the Third Kind (Steven Spielberg, 1977)
Comrades, Almost a Love Story (Peter Chan, 1996)
The Crying Game (Neil Jordan, 1992)
Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
Dancing with Wolves (Kevin Costner, 1990)
Dead Poets Society (Peter Weir, 1989)
Dragon Inn (Ching Siu Tung & Raymond Lee, 1992)
Early Spring (Yasujiro Ozu, 1956)
Eat, Drink, Man, Woman (Ang Lee, 1996)
Electric Shadows (Xiao Jiang, 2005)
ET - The Extra-Terrestrial (Steven Spielberg, 1981)
Europa, Europa (Agnieszka Holland, 1990)
Festival Moon (Zhu Shilin, 1953)
Flowers of Shanghai (Hou Hsiao-Hsien, 1998)
Fong Sai Yuk (Corey Yuen, 1993)
Four Weddings and a Funeral (Mike Newell, 1994)
Fried Green Tomatoes (Jon Avnet, 1991)
The Game of Their Lives (Daniel Gordon, 2002)
Girls Without Tomorrow (Wong Chi & David Lam, 1992)
Good Will Hunting (Gus van Sant, 1997)
He's a Woman, She's a Man (Peter Chan, 1994)
Heroes of the East (Lau Kar Leung, 1978)
Hotel Rwanda (Terry George, 2004)
Impromptu (James Lapine, 1991)
Joint Security Area (Park Chan Wook, 2000)
Just One Look (Riley Yip, 2002)
Kekexili: Mountain Patrol (Lu Chuan, 2004)
Kung Fu Hustle (Stephen Chow, 2004)
Lady General Hua Mulan (Griffin Yueh Feng, 1964)
Lost and Found (Lee Chi Ngai, 1996)
The Lovers (Tsui Hark, 1994)
Lumumba (Raoul Peck, 2000)
Mary Poppins (Robert Stevenson, 1964)
Mekanik (Othman Hafsham, 1983)
The Mission (Roland Joffe, 1986)
My Fair Lady (George Cukor, 1964)
My Neighbor Totoro (Hayao Miyazaki, 1988)
My Wife is a Gangster (Cho Jin-Gyu, 2001)
Needing You... (Johnnie To & Wai Ka Fai, 2000)
No Man's Land (Danis Tanovic, 2001)
Once Upon a Time in China I (Tsui Hark, 1991)
Our Sister Hedy (Tao Qin, 1957)
Out of Africa (Sydney Pollack, 1985)
Pather Panchali (Satyajit Ray, 1955)
Peking Opera Blues (Tsui Hark, 1986)
Peppermint Candy (Lee Chang Dong, 2000)
Platoon (Oliver Stone, 1986)
Police Story III: Supercop (Stanley Tong, 1992)
Porco Rosso (Hayao Miyazaki, 1992)
Postmen in the Mountains (Huo Jianqi, 1998)
Princess Raccoon (Seijun Suzuki, 2005)
Raiders of the Lost Ark (Steven Spielberg, 1981)
Raining in the Mountain (King Hu, 1979)
Ran (Akira Kurosawa, 1985)
Rear Window (Alfred Hitchcock, 1954)
Rhapsody in August (Akira Kurosawa, 1991)
The Road to Guantanamo (Michael Winterbottom & Mat Whitecross, 2006)
Royal Warriors (David Chung, 1986)
Rebel Without a Cause (Nicholas Ray, 1955)
Red Dust (Yim Ho, 1990)
Run Lover Run (Richard Chen Yao-Chi, 1975)
Sansho the Bailiff (Kenji Mizoguchi, 1954)
Saving Face (Alice Wu, 2005)
Secrets and Lies (Mike Leigh, 1996)
Sepet (Yasmin Ahmad, 2004)
Shanghai Blues (Tsui Hark, 1984)
The Sound of Music (Robert Wise, 1965)
Still Life (Jia Zhangke, 2006)
Suriyothai (Prince Chatri Chalerm Yukol, 2001)
Swallowtail Butterfly (Shunji Iwai, 1996)
Swordsman II (Ching Siu Tung, 1992)
Tempting Heart (Sylvia Chang, 1999)
To Sir With Love (James Clavell, 1967)
Tootsie (Sydney Pollack, 1982)
Twenty Four Eyes (Keisuke Kinoshita, 1954)
Ugetsu (Kenji Mizoguchi, 1953)
Under the Moonlight (Seyyed Reza Mir-Karimi, 2001)
West Side Story (Robert Wise, 1961)
Wild Rose (Sun Yu, 1932)
Wing Chun (Yuen Woo Ping, 1994)
Yi Yi (Edward Yang, 2000)