A few more links to my published writings

Screen captures from Queen of Temple Street,
just one of the cinematic gems that made up
the recent Care for Our Community film programme

Things being the way they currently are over at bc magazine, it might be a while before the website is updated again. So rather than provide links to the latest, up to date pieces that I've written, I'm going to go ahead and link to writings from the past two issues whose events may have passed but highlighted personalities and such might still be of interest for some people to read in the meantime:-

From Issue 259:-

i) Midori Matured -- feature article on virtuoso violinist Midori Goto;

ii) Aerobic Aeros -- feature article on a physical dance theatre production whose cast comprises aerobics gymnasts from Romania;

iii) Community Cinema -- on the Hong Kong Film Archive's gem-filled recent Care for Our Community film programme;

iv) One more Editor's Diary that helps prove that Hong Kong is not a cultural desert! ;b

From Issue 260:-

a) The Nymph and the Femme Fatale -- The Royal Ballet (of Britain)'s Sylvia and Manon;

b) The Sounds of Scraps -- Canada's amazing (as I can personally attest to post attending one of their concerts) ScrapArtsMusic group;

c) Dulcimer Dedication -- A Hungarian cimbalom collaborates with the Hong Kong Chinese Orchestra;

d) Still another Editor's Diary aimed at getting readers to go out and about in the Big Lychee some more... ;b

Northeast Hong Kong hike, Part III (photo-essay)

This blog entry is one that I feel obliged to put up more for myself than for family or friends. Put another way: Even though my first and second Northeast Hong Kong hike photo-essays have attracted a grand total of one and zero comments respectively, I'm going to go ahead and put up Part III -- for the sake of completion and, also, for my own records. So, without further ado, here are a selections of photos taken on the part of the hike that covered Sam A Tsuen and back towards Wu Kau Tang on a different, more hilly trail before diverting to Hong Kong's famous Bride's Pool and nearby Mirror Pool; natural beauty spots that many people living in Hong Kong for years have not ventured to -- their loss, really!

One of the things that made Hong Kong's Country Parks
feel so safe to hike with just a friend or two:
its preponderance of clear and helpful signposts

On a hike through diverse geographical landscapes,
my hiking pals and I now passed a marshy/swampy area
located near Sam A Tsuen and the sea

A few -- okay, maybe not so few! -- meters up later,
we were presented with this view of land and sea

A far more ruined abandoned dwelling than those we had seen earlier along the hike

Yep, more purple rock -- albeit encountered at a
significantly higher level elevation than previously

Down below was the part of the trail
we had hiked earlier on, further in the foreground
was the part of the trail that awaited me

A view from higher up of the landscape
passed by and photographed earlier in the hike

Lower part of the Bride's Pool --
alas, by the time we got there, the lighting wasn't optimal
and my hands were shaking too much from fatigue,
so that good shots of the upper part of it
will have to wait for another visit! ;(

Hanging (This week's Photo Hunt theme)

Perhaps I'm prone to macabre thoughts but I must admit that the first image that came to my mind with regard to this week's Photo Hunt theme wasn't very pleasant. One of my reasons for starting this blog though was to help bring out the Pollyanna in me. Consequently, after some determined mulling and searching, have come out with two examples of hanging that I think are more positive as well as interesting.

More specifically, my first photograph features clothes hanging out to dry from that help bring color to the overall everyday scene; while the second was taken inside a Chinese temple whose curly wurly coiled incense sticks hanging from its eaves indicates that it caters to worshippers who are Cantonese speakers (since if they were, say, Hokkien, the incense sticks would be straight rather than curly!). :)

Links to recent film reviews

Little Tony and Takeshi co-star again...
this time around in John Woo's Red Cliff

It's so late as I write this blog entry that even though I'm treating it as Tuesday night, we're now officially into Wednesday morning. So this is going to just be a quick and dirty "heads up" that the bc magazine website has finally been updated, making it so that the following film reviews by moi -- and quite a bit more besides! -- are now available on line:-

1) John Woo's Red Cliff ;

2) Jiri Menzel's I Served the King of England;

3) Claude Berri's Ensemble C'est Tout; and

4) Tsui Hark's Missing (which I really wish could have been so much better).

Shaolin kung fu demonstration in San Po Kong

A Shaolin kung fu exponent strikes a martial pose

A Shaolin kung fu exponent strikes another on the head
to demonstrate the latter's Qigong (power within)

Two Shaolin kung fu exponents spar with each other
to demonstrate their weapons expertise

Pretty much every week since I moved to Hong Kong, my mother will e-mail to ask me what I've got planned for the weekend. Often times, I'll tell her that I'll be going to at least one performing arts show (e.g., a classical music concert, a play, a dance performance) or to check out a movie that's being screened as part of an on-going film fest or retrospective. When the weather is good (i.e., pretty much guaranteed to be dry and not too deathly hot!), I might inform her that I'll be off on a hike with a friend or more. Some other times, I'll tell her that I'm planning to go check out some part of Hong Kong that I've not yet (sufficiently) explored.

For this past weekend, my answer was: a screening at the invaluable Hong Kong Film Archive on Saturday (of Ann Hui's superb latest film, The Way We Are); and a Shaolin kung fu demonstration in San Po Kong this Sunday afternoon -- the third such show that I've had the chance to check out since returning to Asia in July 2003 (even while being only the first thus far in The Big Lychee). Each time around, it's been pretty impressive and enjoyable.

And yes, fellow Hong Kong movie buffs, be assured that quite a few moves, styles and weapons are ones that will seem familiar for those who have checked out their share of kung fu films (including such favorites of mine as Lau Kar Leung's The 36th Chamber of Shaolin and -- I realize it's not a Shaolin kungfu movie per se but it does boast great demonstrations of a plethora of weapons of the Chinese martial arts arsenal -- Heroes of the East). ;b

What IS that?? (This week's Photo Hunt theme)

What IS that?? Not just a question, it's also this week's Photo Hunt theme! ;b

Something which suits me fine as this means that I can put up some more photos taken on various visits to Sai Kung town, one of whose main attractions is the prospect of feasting on fresh seafood cooked in one of the town's many seafood restaurants (among them the Hung Kee Seafood Restaurant with its attention-getting fish-shaped neon sign). And I really do mean fresh as a lot of items on the menu are still alive when displayed in tanks and awaiting your selection! Or, as was with the case with the crabs in my the top-most photo in this entry, lying about on the sidewalk for some reason or other! ;DDD

Incidentally, the seafood restaurants in Sai Kung serve substantial multi-course Chinese meals. So my recommendation would be to build up an appetite for dinner by taking advantage of the fact that much of Sai Kung District -- and, in fact, most of the Sai Kung Peninsula -- is within designated Country Parks and going out hiking in the area earlier in the day. :)

100 Movies

No fear re Peking Opera Blues
being excluded from my 100 Movies list! ;b

Recently, my good friend, the proprietor of the Falling Stones are not Heavy blog, changed hosts from livejournal to Word Press. In doing so, he was able to add extra sections to his blog and now has a 100 Movies list that he feels a strong connection to that I found to make for interesting reading -- and so much so that I've decided to follow his example and post a 100 Movies list of my own too.

In my case, my main criteria when making my choices is that the films be ones which have particularly impacted and/or impressed me over the years (but, particularly, in the last 10 or so). Alternatively put, and contrary to the disparaging assertion sometimes made by people that "it's only a movie", I will venture to say that a fair few of the films on my list are not only able to move, enchant, make me happy and otherwise alter my emotional state and views of humanity but they also have changed my life and life path in addition to my film viewing habits and perspective.

To cite just one example: One big reason for my now living and working in Hong Kong is because I fell in love with Hong Kong cinema and the portraits of the place and its people that some of its best films provided me with. And, yes, here's handing out due warning that my list is undeniably heavy on Hong Kong movies.

Still, rather than order the films by territory, I'm going to list them in alphabetical title order. In doing so, I'll leave it to readers to do such as count the number of Hong Kong movies on my list, those starring Brigitte Lin or anything else that particular interests you... ;b

11'9''01 - September 11 (various directors, notably Alejandro Gonzalez Inarritu, 2002)
14 Amazons (Ching Gong & Charles Tung, 1972)
The 36th Chamber of Shaolin (Lau Kar Leung, 1978)
A Chinese Ghost Story (Ching Siu Tung, 1987)
A River Runs Through It (Robert Redford, 1992)
Ashes of Time (Wong Kar Wai, 1994)
Babette's Feast (Gabriel Axel, 1988)
The Ballad of Little Jo (Maggie Greenwald, 1993)
Battleship Potemkin (Sergei Eisenstein, 1925)
Beaches (Gary Marshall, 1988)

Ben Hur (William Wyler, 1959)
The Blue Kite (Tian Zhuangzhuang, 1993)
The Bride with White Hair (Ronny Yu, 1993)
C'est la Vie, Mon Cheri (Derek Yee, 1993)
Chariots of Fire (Hugh Hudson, 1981)
Citizen Kane (Orson Welles, 1941)
Cool Hand Luke (Stuart Rosenberg, 1967)
Chungking Express (Wong Kar Wai, 1994)
City of God (Fernando Meirelles, 2002)
Close Encounters of the Third Kind (Steven Spielberg, 1977)

Comrades, Almost a Love Story (Peter Chan, 1996)
The Crying Game (Neil Jordan, 1992)
Crouching Tiger, Hidden Dragon (Ang Lee, 2000)
Dancing with Wolves (Kevin Costner, 1990)
Dead Poets Society (Peter Weir, 1989)
Dragon Inn (Ching Siu Tung & Raymond Lee, 1992)
Early Spring (Yasujiro Ozu, 1956)
Eat, Drink, Man, Woman (Ang Lee, 1996)
Electric Shadows (Xiao Jiang, 2005)
ET - The Extra-Terrestrial (Steven Spielberg, 1981)

Europa, Europa (Agnieszka Holland, 1990)
Festival Moon (Zhu Shilin, 1953)
Flowers of Shanghai (Hou Hsiao-Hsien, 1998)
Fong Sai Yuk (Corey Yuen, 1993)
Four Weddings and a Funeral (Mike Newell, 1994)
Fried Green Tomatoes (Jon Avnet, 1991)
The Game of Their Lives (Daniel Gordon, 2002)
Girls Without Tomorrow (Wong Chi & David Lam, 1992)
Good Will Hunting (Gus van Sant, 1997)
He's a Woman, She's a Man (Peter Chan, 1994)

Heroes of the East (Lau Kar Leung, 1978)
Hotel Rwanda (Terry George, 2004)
Impromptu (James Lapine, 1991)
Joint Security Area (Park Chan Wook, 2000)
Just One Look (Riley Yip, 2002)
Kekexili: Mountain Patrol (Lu Chuan, 2004)
Kung Fu Hustle (Stephen Chow, 2004)
Lady General Hua Mulan (Griffin Yueh Feng, 1964)
Lost and Found (Lee Chi Ngai, 1996)
The Lovers (Tsui Hark, 1994)

Lumumba (Raoul Peck, 2000)
Mary Poppins (Robert Stevenson, 1964)
Mekanik (Othman Hafsham, 1983)
The Mission (Roland Joffe, 1986)
My Fair Lady (George Cukor, 1964)
My Neighbor Totoro (Hayao Miyazaki, 1988)
My Wife is a Gangster (Cho Jin-Gyu, 2001)
Needing You... (Johnnie To & Wai Ka Fai, 2000)
No Man's Land (Danis Tanovic, 2001)
Once Upon a Time in China I (Tsui Hark, 1991)

Our Sister Hedy (Tao Qin, 1957)
Out of Africa (Sydney Pollack, 1985)
Pather Panchali (Satyajit Ray, 1955)
Peking Opera Blues (Tsui Hark, 1986)
Peppermint Candy (Lee Chang Dong, 2000)
Platoon (Oliver Stone, 1986)
Police Story III: Supercop (Stanley Tong, 1992)
Porco Rosso (Hayao Miyazaki, 1992)
Postmen in the Mountains (Huo Jianqi, 1998)
Princess Raccoon (Seijun Suzuki, 2005)

Raiders of the Lost Ark (Steven Spielberg, 1981)
Raining in the Mountain (King Hu, 1979)
Ran (Akira Kurosawa, 1985)
Rear Window (Alfred Hitchcock, 1954)
Rhapsody in August (Akira Kurosawa, 1991)
The Road to Guantanamo (Michael Winterbottom & Mat Whitecross, 2006)
Royal Warriors (David Chung, 1986)
Rebel Without a Cause (Nicholas Ray, 1955)
Red Dust (Yim Ho, 1990)
Run Lover Run (Richard Chen Yao-Chi, 1975)

Sansho the Bailiff (Kenji Mizoguchi, 1954)
Saving Face (Alice Wu, 2005)
Secrets and Lies (Mike Leigh, 1996)
Sepet (Yasmin Ahmad, 2004)
Shanghai Blues (Tsui Hark, 1984)
The Sound of Music (Robert Wise, 1965)
Still Life (Jia Zhangke, 2006)
Suriyothai (Prince Chatri Chalerm Yukol, 2001)
Swallowtail Butterfly (Shunji Iwai, 1996)
Swordsman II (Ching Siu Tung, 1992)

Tempting Heart (Sylvia Chang, 1999)
To Sir With Love (James Clavell, 1967)
Tootsie (Sydney Pollack, 1982)
Twenty Four Eyes (Keisuke Kinoshita, 1954)
Ugetsu (Kenji Mizoguchi, 1953)
Under the Moonlight (Seyyed Reza Mir-Karimi, 2001)
West Side Story (Robert Wise, 1961)
Wild Rose (Sun Yu, 1932)
Wing Chun (Yuen Woo Ping, 1994)
Yi Yi (Edward Yang, 2000)