Beginning of the Great Revival (Mainland China, 2011) - Han Sanping and Huang Jiangxin, dirs.- Starring Liu Ye, Chow Yun Fat, Feng Yuanzheng, Zhang Hanyu, Li Qin, Andy Lau, etc.On this day fourteen years ago, Hong Kong was handed back over to China by the British. Seventy six years before that -- and thus
90 years ago today, the Chinese Communist Party was founded in Shanghai.
To commemorate the latter event, the directors of
The Founding of the Republic, got together to make a sort of sequel to that cameo-studded blockbuster propaganda epic. Originally entitled
The Founding of the Party, the similarly cameo-filled film that tells an approved version of how the Chinese Communist Party came into being and the roots for the Chinese Communist revolution were laid is now more bombastically called
The Beginning of the Great Revival.
Running at close to two hours long, this Mainland Chinese film (which features appearances by a number of Hong Kong thespians and John Woo) covers events taking between the years 1911 and 1921 in such a way that certain key historical developments feel like they were given short shrift in favor of fluffy scenes detailing such as romantic moments between a patriotic general (portrayed by Andy Lau) and his concubine (played by the decades younger Angelababy), and
Mao Zedong (essayed by Liu Ye) and his first wife,
Yang Kaihui (played by Li Qin), and ones in which Chow Yun Fat is given lots of room to strut about as
Yuan Shikai, the general who deposed an emperor and then pronounced himself one.
Although Mao Zedong is the film's major personality, he actually doesn't dominate the picture as much as some people might assume. Also somewhat surprising is the characterization of this (in)famous historical figure as an individual who wasn't especially commanding or impressive in the company of such as Beijing University students and faculty -- though upon further examination, it does make some sense to portray the man from Hunan in such as a way that strengthens claims that he truly was a man of the people (as opposed to, say, someone from an inherited elite and privileged background).
By far the most jaw-dropping part and aspect of
Beginning of the Great Revival though is its scenes of the
May 4th Movement; not least because the stirring scenes of student demonstrations and protests surely cannot help but recall those that took place in the summer of 1989 in the same country. Upon viewing them, one will understand how stories have been circulating of this propaganda film actually having run into trouble with the censors -- and a super heavy-handed (and consequently clunky) coda being required to be attached to this cinematic offering; because even while the messages being shouted in that section of the film are in line with the nationalism that is being encouraged, the actions of angry youth challenging and confronting establishment figures and braving armed forces can easily be interpreted as showing sympathy for a (still) discouraged cause.
If viewed solely for entertainment,
Beginning of the Great Revival will surely be looked upon as a disappointment. If judged on cinematic merit, it would be considered a mixed bag, at best --not least because it appears to be such a hodgepodge of genres: historical drama, action (with a particular scene depicting
Zhu De (aka Chu Teh) as a most impressive sharpshooting hero as well as military leader being arguably the one most likely to get one's adrenaline going), suspense thriller and, most improbably, romance.
For my part though, I found this film to make for very intriguing viewing -- including in terms of reading how certain historical personalities and events are (allowed to be) portrayed. And even though it provided me with fewer instances of inadvertent humor than
The Founding of the Republic, I was sufficiently captivated throughout the work's 118 minutes -- and, as shocking as this might be to some people, am actually considering re-watching this supposed "sincere tribute" to the Chinese Communist Party once more before its run in Hong Kong cinemas comes to an end!
My rating for the film: 6 as a film (but it'd be higher as material to think about and with!)