Don't Go Breaking My Heart (Hong Kong-Mainland China, 2011)- Johnnie To, director- Starring Louis Koo, Gao Yuanyuan, Daniel Wu, Lam SuetThis past weekend,
more than a month after the
35th Hong Kong International Film Festival began, I finally got to watching one of its two official opening films. One reason I had delayed my viewing of it was that I had been rather put off by its trailer (which had looked like Johnnie To was trying to pin some of his action sensibilities onto the romantic comedy with less than satisfactory results). In addition,
some reports and reviews I read of the movie had made it seem as though that the Milkyway Image boss who had, for many years, proudly deigned to pander to the Mainland Chinese market, had finally, sadly given up that particular fight.
In the end, however, curiosity got the better of me -- particularly after I read
Stefan S.'s positive comments on this romantic comedy which revolves around a now Hong Kong-based female executive who's originally from Suzhou (Gao Yuanyuan), a handsome local high flyer (Louis Koo) and a talented Canadian-born architect (Daniel Wu). And how glad I am post-viewing this charming offering that I did go ahead and check it out after all -- if nothing else because I finally got to see an English translation of the lyrics of a song I have loved for ages now after first hearing it sung by Faye Wong!
More seriously though: its director may be well known for preferring to make crime dramas over romantic works but the fact of the matter is that when Johnnie To puts even half of his heart into it, he comes up with gems like
Needing You... (as opposed to
Linger -- which I still can't believe he really directed rather than merely lent his name to). And it's not a bad thing at all when I state that
Don't Go Breaking My Heart reminded me quite a bit of the 2000 office romantic comedy starring Sammi Cheng and Andy Lau.
For one thing, this 2011 Johnnie To romantic effort is largely set in the world of offices where people fall in love as well as work. For another, this movie's female protagonist -- like with Sammi Cheng's
Needing You... character -- most definitely has some cute personality quirks that many viewers will undoubtedly find endearing. And most strikingly, she finds herself having to choose between two attractive men who both have strong feelings for her.
Ultimately, however, what made me come out of my viewing of the film feeling very satisfied was that
Don't Go Break My Heart actually goes along a different path after a stretch which got me worried that the story was going to develop way too similarly to how
Needing You... had done. And for the record: yes, I definitely agree with the female protagonist's choice of man to marry.
Also, yes, I do think many a heterosexual female viewer will invariably put herself in the female protagonist's shoes and empathize with the difficulty she has making her important decision -- even if the truth of the matter is that it is only in their dreams and fantasies (or in the movies they watch) that they would get to be wooed by one super attractive man, never mind two, at any point in their lives! ;D
My rating for the film: 7.5
3D Sex and Zen: Extreme Ecstasy (Hong Kong, 2011)- Christopher Sun, director- Starring Hiro Harayama, Leni Lan, Tony Ho, Vonnie LiuClose to a week ago now, two friends collectively e-mailed invitations to several friends -- male as well as female -- to go and view the Hong Kong movie that's currently the talk of the town. In the end, however, only three of us went this past Monday evening to go take in a screening together of
3D Sex and Zen: Extreme Ecstasy.
Before the over 2 hour movie came to an end, one of the two women who had initiated this excursion had walked out of the screening while the other was so shocked by what she had seen that she felt physically sick and decided she couldn't have dinner after the film after all! And while I didn't have as extreme a reaction to this soft porn work that also has its share of violence as them, I must say that I do really regret having contributed to its box office -- and towards what I fear will be a wave of flicks like it in the near future.
Strange as it may sound,
3D Sex and Zen: Extreme Ecstasy actually started out promisingly -- with opening credits that looked admirably artistic as well as made good use of the effects of 3D. But within a few minutes, whatever promise this film with an unexpectedly mean streak held of being aesthetically pleasing quickly disappeared. For even while it does have higher production values than some might expect, there really isn't much beauty in this 3D retelling of
a Ming dynasty tale about a lustful learned man who decides he wants a bigger member than his own that already had been made into a Hong Kong film back in 1991 and, indeed, I'd go so far as to say that there is much that is ugly about many of its characters, overall story and so much more.
More specifically, early on in the movie, a woman gets described by another character as the perfect female -- perfect in personality as well as physically. Within seconds of this supposedly serious (as opposed to sarcastic or jesting) assertion, this same woman proceeds to throw a major temper tantrum that prompts her to act incredibly cruelly towards a fellow female. And I have to say in all honesty that not only is the actress who played this supposed major beauty not all that great looking, her looks are actually so unremarkable that I don't think I'll be able to recognize her if I see her in another film.
For that matter, I feel the same way about all the women I saw in this offering -- all of whom additionally seemed to look similar to one another. Put another way: none of the actresses in this offering evinced the charisma or had the kind of looks that, say,
Chingmy Yau,
Carrie Ng, Patricia Ha,
Julie Yeh Feng and other memorably sexy sizzlers from past eras of Hong Kong cinema.
On a perhaps related note: none of the women in the
3D Sex and Zen: Extreme Ecstasy ever looked like they were experiencing true sexual ecstacy -- only the men. And for the record: this is something that more than one female viewer has noticed, as I found upon having conversations about the movie with those woman friends I know who have also viewed the work.
Small wonder, then, that the general conclusion of many a female who checked out the movie is that it was,
in the words of one gweipo, "by men, with men, for men". Indeed, I personally would go so far to describe this effort as distinctly misogynistic and thus most emphatically not a work that was all that pleasurable to watch or one that would put women "in the mood" (the latter of which I reckon makes for a pretty damning criticism of a soft porn work!!)!
My rating for the film: 3